écritures, formes, graphismes

After having spent time on music from late medieval France, I think it fair I give attention to the other contemporary musical movements happening in Europe. Over a series of three blogs, I hope to give some analytical attention to music from Italian composers and sources from the Trecento (literally meaning “14th century,” but referring to the Italian parallel to the French Ars Nova movement) and the Ars Subtilior (“subtle art,” which was an esoteric music trend in both France and Italy during

RILM Music Encyclopedias is a continually expanding curated full-text collection with titles published from 1775 to the present. Its content spans various fields and subject areas of historical musicology, ethnomusicology and theory, with focus on topics ranging from popular music, opera, instruments, blues and gospel, to recorded music and women composers.